Saving a best for last
PHOTOS: PUBLICITY
KARACHI : The third and final day of Q Mobile Hum Showcase 2017 witnessed some of a excellent designers of a nation showcasing their designs for a initial time. Shamaeel Ansari and Umar Sayeed in particular, stayed loyal to a observant ‘the initial sense is a final impression’ and displayed earnest collections.
The styling group from Nabila combined looks that were all about glisten and shimmering make-up.
Here’s a lowdown of who showed what on a shutting day.
Designer: Shamaeel Ansari
Collection: we AM RED
PHOTO: PUBLICITY
The thesis of a showcase revolved around love, aspiration and passion. For Shamaeel, a colour red exudes secure love, crafty will and creates one demeanour magnificent, mount high and confident. The designs featured opposite hues of red with bullion rope detailing. The engineer focused on undying silhouettes that consisted of jackets in several lengths, tunics, lenghas, skirts with brief shirts and heavily festooned shawls on organic floral prints. The outfits radiated worldly elegance, oppulance and comfort.
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Designer: Zaheer Abbas
Collection: Cosmology
PHOTO: PUBLICITY
The collection drew impulse from a investigate of a universe, focusing on astronomical beliefs, and movements of a stars, moon and astronomical charts. It was an thought of open on a opposite world altogether. Known for his uncomplicated approach, Abbas used a soppy blind technique to emanate minimalistic pleats out of chiffon. From white to black, a collection portrayed a lunar cycle and a transition. From little embroideries to life distance figures, Abbas remade a qualification of kaamdani and braiding in singular pattern. Long, issuing dresses, pants and jackets dominated a line.
Designer: Kayseria
Collection: Victoria’s Bengal Haute Couture
PHOTO:PUBLICITY
Kayseria’s collection was a brew of ancestral and contemporary ideas. It featured an alliance of Bengali normal outfits and widespread Victorian change in a colonial era. The offerings comprised engaging cuts and covers along with neat and pointy silhouettes. The concentration of colour was on gold, rust, beige, off-white, pinkish and grey to applaud a Bengali comfortable skin tones. Printed silk, balloon sleeves done from net and chiffon, dresses with ruched draped cover and trousers were seen in a collection.
The code showed a line that had a crafty brew of textures. The styling was confidant with lead and jewel-encrusted makeup.
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Designer: Sania Maskatiya
Untitled collection
PHOTO: PUBLICITY
The collection was formed in lead colors incorporating Maskatiya’s signature east/west alloy silhouettes and perplexing embellishments. The grave oppulance prêt collection was done adult of oppulance dusk wear including peplums, maxis, pantsuits and tunics. Sania’s menswear line entailed sherwanis, waist-coats, and jhodpuri jackets interconnected with true pants, all in plain colors. The colour contrariety was distinguished in all menswear.
Designer: Chapter 2 by Khaadi
Untitled collection
PHOTO: PUBLICITY
The code directed to applaud inland qualification and remade it into civic fashion. The ensembles were done with pristine hand-woven and hand-crafted textiles and embodied a minimalistic proceed towards design. The colour palette was crafty and splendid tones such as intolerable pink, emerald green, oranges and reds along with elementary grey, black and beige finished a collection. Showcasing true cuts as good as androgynous silhouettes such as prolonged tunics, summer jackets and trousers, Khaadi put brazen a wearable collection. The designs were elementary though a importance was on a craftsmanship of a fabric.
Designer: Ahmed Bham
Untitled collection
PHOTO: PUBLICITY
The engineer showed his spring/summer collection that comprised grave menswear outfits with a excellent brew of linens, nap and silks. The creations featured an amalgam of distinguished colour multiple and fragile embroideries. The preference of suits and jackets were accompanied by a signature crawl tie that gave suits a new dimension.
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Designer: Umar Sayeed
Untitled collection
PHOTO: PUBLICITY
Sayeed’s collection was an paper to Zainab Market. Distinctly opposite from his fragile ensembles and royal cuts and drapes, he used denim, animal imagery, splendid colours and independent accessories in a collection. Denim was a bottom of a collection along with artistic animal imagery that seemed on skirts, surprising boxy rectilinear tube tops, hang around shorts, appliquéd printed maxi and distinguished off – shoulder tops. A colourful colour-blocked palette of pink, purple and orange and a use of black and white net on maxi were speckled on a ramp. While a arrangement showed a furious streak, it highlighted stately craftsmanship as well.
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Article source: https://tribune.com.pk/story/1392358/saving-best-last/