Jada Pinkett-Smith Slams “Deeply Hurtful” Tupac Biopic ‘All Eyez On Me’

Today is a large day for Tupac fans. Not usually is it what would have been a swat legend’s 46th birthday, though it’s also a central recover date for his rarely expected new biopic “All Eyez On Me.”

The film (starring Demetrius Shipp Jr. in a pretension role) follows Tupac Shakur’s life and legacy, including his duration arise to superstardom, as good as his imprisonment, and time underneath a argumentative swat tag Death Row Records.

The film — destined by Benny Boom — also touches on his attribute with singer Jada Pinkett-Smith (FYI: She antiquated Pac before assembly her now father Will Smith), however, Smith is distant from happy about how her attribute with Shakur is portrayed.

In a array of tweets (and a post on Facebook), Smith called a film “deeply hurtful” and slammed it for a false description of their time together. In fact, one stage in particular, in that he review a poem to her (something she pronounced NEVER happened), unequivocally strike a haughtiness for a actress.

“Forgive me… my attribute to Pac is too changed to me for a scenes in All Eyez On Me to mount as truth,” she said. “Pac never review me that poem. we didn’t know that poem existed until it was printed in his book.”

Smith added, “Pac never pronounced goodbye to me before withdrawal for LA. He had to leave abruptly and it wasn’t to pursue his career. I’ve never been to any of Pac’s shows by his request. We never had an evidence backstage. The reimagining of my attribute to Pac has been deeply hurtful.”

Jada, who is played in a film by Kat Graham, done certain to let a actors in a film know that her beef wasn’t with them and thanked them for “bringing so most heart and spirit” to their roles. “You both did a pleasing pursuit with what we were given. Thank we both,” she said.

Read her full post (via Facebook) below:

Jada Pinkett-Smith isn’t a usually one who has a disastrous opinion about “All Eyez On Me.”

NY Times film censor Glenn Kenny called a film “uniformly uninspired,” while Katie Walsh, a film censor for a L.A. Times, described a biopic as a “muddled prophesy of Tupac.”

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