Legendary sitarist Ustad Raees Khan passes away

Ustad Raees was innate in 1939 in Indore, India. He belonged to a Mewati Gharana of Indian exemplary music. The good sitar actor Ustad Vilayat Khan was his uncle. He started personification sitar during a really immature age. One comment suggests his father means him a sitar when he was hardly 3 years old. He was also a vocalist of high merit. He would mostly sing a combination to illustrate a raga he was playing. One of his early vital performances was during a Sunderbai Hall.

Apart from behaving during a series of concerts as a solo artist, Ustad Raees collaborated with mythological shehnai actor Ustad Bismillah Khan on stage. Their performances together are deliberate to be some of a excellent collaborative pieces of exemplary music. He also played sitar for film song composers. His organisation with composer Madan Mohan resulted in famous marks such as ‘Naino mein badra chhayey’ in a film Mera Saya and ‘Rasm-i-ulfat ko nibhaen’ in Dil Ki Rahein.

After marrying Bilqees Khanum (his second wife) in a 1980s, Ustad Raees changed to Pakistan. He was welcomed with open arms, and he gave here one good opening after another. He frequently attended and participated in exemplary song concerts in Pakistan, infrequently personification sitar with his son Farhan. He speedy immature artists with all his heart and always lent them a assisting hand.

Distinguished author Anwar Maqsood felt terribly nervous on Saturday night when he approaching radio channels to run a news of Ustad Raees Khan’s passing though instead saw a common newsflashes and exhilarated debates on domestic issues. “How can they do that? They can’t be this insensitive. After Quaid-i-Azam Mohammad Ali Jinnah and Abdul Sattar Edhi, Ustad Raees was a biggest personality. It’s such a outrageous loss. The man’s sitar-playing had sorcery and they (TV channels) don’t know that,” he said.

Mr Maqsood was anticipating it tough to trust that Ustad Raees had unexpected left us. “God had given him a singular gift. His fingers had that singular touch. we have a series of recordings of his performances. He might be physically no more, though he is with us,” pronounced Mr Maqsood.

The All Pakistan Music Conference’s Ayla Reza was also distraught. Ustad Raees had achieved for a discussion and had played a pivotal purpose in reviving seductiveness in exemplary song among internal audiences. “There are a handful of artists who grasp such mass in their lifetime. He was famous not only in a subcontinent, though was famous opposite a world. His virtuosity was rare. Not many know that he was a child prodigy. When he was dual and a half years old, his father gave him a sitar done of coconut. He was a smashing chairman during that. He was value everything,” pronounced Ms Reza.

The Tehzeeb Foundation’s Sharif Awan said, “He used to explain that he invented gaeki ang in his sitar playing. When we asked him, he told me that sold character of song could not be played but gamuk, and he used to do that. He was right. It’s a outrageous loss. He was a thinker when it came to sitar playing. He introduced some-more aspects to a art form. Ravi Shankar did that as well.”

Article source: http://www.suchtv.pk/entertainment/item/53469-legendary-sitarist-ustad-raees-khan-passes-away.html